There are items that are collectibles that every
fan has a chance to own... a photo, a videotape, a t-shirt.... and
there are collectibles that are one-of-a-kind, that only one exists.
Oddly, these items... relics... are usually
recognized for their historical importance only by a select few...
and rarely by the people who originally owned them.
Such as it was with the treasures i received
a year ago from a technician at KMTV.
Here's the story. While working at Accutech Solutions (my employer
at the time) one of the designers in the creative department informed
me that his room mate really enjoyed viewing the WebLab. After a
bit of discussion he mentions that his room mate is a technician
at KMTV, and that a few weeks prior the boses there asked them to
do some spring cleaning in the archive llibrary. In the cleaning
they were instructed to throw away dozens of old audio carts ...
used for various audio needs for producing programs, commercials
and the like. Amongst the dozens of old carts were a few that were
used in producing Creature Feature.
Audio carts were the state of the art in sound
technology for many, many years. They look a lot llike commercially
available 8-tracks cartridges, and function very much the same as
standard 8-tracks. The major difference with audio carts was that
they were superior in sound quality in comparison to 8-tracks and
were built to allow for splicing and phyisical editing of tape.
The audio cart, like the 8-track, was really
one continuous loop of tape. When an audio tech laid out some music
or SFX onto it, it could then be edited down to the appropriate
length and prepped for use. Once the track was played for whatever
it's purose was, it would automatically be cued up for the next
use thanks to the loop. No rewinding required.
For those of you not in the know, 8-tracks were
designed to allow for continuous playback, having the tape set up
as one large continuous loop. Music selections were divided up into
four "programs", selectable by hitting a program button, which would
cycle the user through the available tracks. Four "programs" ...
all in stereo (requiring two audio tracks) .... which give you eight
tracks. Thus the name.
The problems with eight tracks were numerous. The
sound quality was not terribly good, and since the cartridges were
designed for continuous playback, they would become worn all the
more faster. The mechanics of the cartridge itself often caused
the tape to jam in it's case, stopping the tape from moving, and
becoming useless. You could not rewind or fast forward through an
eight track, so selection a single song was not possible. On top
of this (and perhaps the most maddening to music purists and artists)
album continuity and track order would often times be compromised
in order to fit music into the aloted music programs. This would
ruin a lot of "concept albums" of the time, because track order
was often very important for the overall story or concept presented
by the artists. On top of this, often times songs ran longer than
the alloted program, and when this happened the song would be cut
in half, leaving the remainer on the following track (which was
maddening if it was a song you bought the tape for in the first
place!). Once the cassette tape became the music media of choice
in the late seventies, 8-tracks became obseleteand a grave marker
for the end of the seventies.
While public use of 8-tracks declined, dissapeared
and became as iconic to the 70's as the poodleskirt did for the
50's, the audio cart was still in used. Once digital media became
affordable to generate, the audio cart was slowly phased out. Thus
the spring cleaning at KMTV.
After discussion about the fate of the tapes (which
were picked out of the garbage at the studio) the designer said
that he would bring in the carts for me to take a look at. I was
more than excited as i had never seen the audio carts before.
The room mate offered to make copies of the audio
on the cards for me, of which i was greatly appreciative I admit,
i was really hoping to get to keep those carts, as they are some
of the rarest of all Creature Feature artifacts, and would be a
great privilledge to have. I mentioned to my friend that if his
roomie didn't want the carts i would be more than happy to either
buy them or trade for them. The designer said he would pass the
info along to his friend.
After a few days, the designer brings me a tape of
audio recorded from the cards, and.... as i had hoped... the original
audio carts. The roomie passed them along to me, who now has them
in a place of distinction.
There are three audio cards in all. Of those three
only two still actually worked. The audio is available in the audio
area of this website. Scanned in here are the actual audio carts
so you can see what they look like. Enjoy.